Roger Corman was a seasoned interviewee. He had a dozen or so well-polished anecdotes that he could deploy with charming ease anytime he took the spotlight, but that meant, if you read one of his talks, you’d read them all. So, I was fascinated to stumble onto this...

*ALL THE SPOILERS FOLLOW*  I disliked CLERKS III for being uninspired, unfunny, and a visually miserable experience, but walking out of the cinema, I didn’t expect to be followed by a deep existential funk.  What was the point of it all?  It’s a...

One of my favourite film resources is Bertrand Tavernier et Jean-Pierre Coursodon’s 50 YEARS OF AMERICA CINEMA (50 ans de cinéma américain) a critical two-volume encyclopedia that is mainly composed of lengthy essays on big, and very forgotten,  directors....

Steve Wang is a legendary special effects artist who worked on PREDATOR, HELLBOY, GREMLINS 2 and dozens of other stone-cold classics. He's also a great director. No one in North America has done a better job of marrying complex practical special effects and high...

Justin reviews the Blu-ray of the only Sword-N-Sandal film ever to be shot in 70mm.

We discuss comedians who took on purely dramatic roles: Patton Oswalt in Big Fan, Richard Pryor in Blue Collar, and Mary Tyler Moore in Ordinary People....